Art Portfolios, from 2001 to the present, convey themes of light, energy, atmosphere, nature, geography, and history. Each portfolio ponders the connection between individual, atmosphere and culture. Click portfolio for information.
[2019-Present] consists of large mixed media bicycle prints. Layers of cyanotype, tea toned cyanotype and paint created layered backgrounds that evokes temperature, sound and solar energy. Selections from this body of work was invited for a solo exhibition with LHUCA in Lubbock and received coverage in Glasstire.
tea toned cyanotype on paper, 55x72
tea toned cyanotype an latex paint on paper, 55x72
Charles Adams Gallery, Lubbock, TX
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
tea toned cyanotype on paper, 55x72
[2018-Present] Notes from the Desert Aquarium is the titled of a series of tea toned cyanotypes. These are created by sunlight exposure and submersion in a bath of tea to create a brown patina. Tumbleweed and grassland specimens evoke the semi arid Llano Estacado environment.
Tea toned cyanotype on paper, 55x782 inches, 2024
Tea toned cyanotype and acrylic on paper, 55x72 inches, 2024
Tea toned cyanotype and ink on paper, 42x30, 2019
Tea toned cyanotype on paper, 42x30 inches, 2024
Tea toned cyanotype and ink on paper, 42x30, 2019
Tea toned cyanotype on paper, 55x72 inches, 2023
Tea Toned cyanotype and ink on paper, 42x30 inches, 2023
Tea toned cyanotype and ink on paper, 42x30 inches, 2023
Tea toned cyanotype and ink on paper, 42x30
Tea toned cyanotype and ink on paper, 42x30, 2019
Wright Gallery, Texas A&M, College Station, Texas, two person exhibition
Tea toned cyanotype and ink on paper, 42x30, 2019
Purchase Workbook Solitude of Selfie 2024
Purchase Workbook Solitude of Selfie 2021
[2018-Present] Solitude of Selfie is a body of drawings that celebrates the 100th year anniversary of the 19th amendment 2020. Elizabeth Cady Stanton’s handwriting is digitized and cyanotyped (blueprinted) into the background of compositions about Stanton’s address Solitude of Self arguing for suffrage. History is illuminated and reworked into contemporary compositions. A workshop component of the project asks participants to take a “tour” around Elizabeth Cady Stanton’s 19th century feminist address Solitude of Self. They are asked to read, write, count and draw their way around the address. Artwork for this project integrates primary documents for the Woman’s Bible project in 1898.
Solitude of Selfie Workshop, The Poetics, Politics, and Praxis of Transnational Feminisms, National Women’s Studies Association, virtual format, Oct. 15, 2021
Solitude of Selfie CAA ARTexchange, CAA Services to Artists, Committee & Hokin Project, Hokin Gallery, Columbia College, Chicago, IL, Feb. 14-24, 2020
Solitude of Selfie, Women’s Rights National Historical Park, Seneca Falls, NY, Sept. 1-Nov. 15, 2018
Solitude of Selfie, South Texas College, McAllen, TX, Ap. 26-May 30, 2018
The game’s afoot! Carol Flueckiger, Women Studio Workshop by Susan Chute, 2018
Solar Painting mixed media body of work inspired by 19th century women’s suffrage essay by Nancy Moyer, Special to the Monitor, Vida Art, The Monitor, Monday, May 7, 2018
pen, letterpress, digital
pen and digital
pen, letterpress, digital
Drawing/Digital, 2023
Digiital/Drawing, 2023
cyanotype and pen on paper, 17x12
cyanotype and pen on paper, 17x12
cyanotype and pen on paper, 17x12
[2013] Three Eleanors: A Solar Powered Paper Doll Production, is an interdisciplinary (art and theatre) devised theatre project with a colleague that was about feminist historic figure that share the name Eleanor. Artwork for production incorporates historic archives from Eleanor Roosevelt Paper Project, George Washington University and Eleanora Duse collection, special collections of the university of Glasgow library, into the compositions. The production was presented at three venues: a theatre venue, Stage Left Studios in NYC, a national park venue: Women’s Rights National Historical Park in Seneca Falls, NY and an art gallery venue, CASP art studio gallery in Lubbock, TX.
Three Eleanors: A Solar Powered Paper Doll Production Stage Left Studios, NYC, eleven performances –July 24-Aug. 4, 2013
Women’s Rights National Historical Park, Seneca Falls, NY, July 20, 2013
Charles Adams Studio Project, Lubbock, TX, July 13, 2013
Three Eleanors by Brooke Pierce, EDGE Media network Contributor, Sunday July 28, 2013
Julia Jochner on Three Eleanors A Solar Powered Paper Doll Production at Stage Left Studios
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
Artwork & Design for devised theatre production, Charles Adams Studio Project, Lubbock, TX, Women's Rights National Historical Park, Seneca Falls, NY, Stage Left Studios, NYC, 2013
[2012-2017] Solar Powered Paper Dolls is a body of artwork about Elizabeth Cady Stanton’s address Solitude of Self. It is part paper doll, part history lesson and part geography lesson. I have digitized archives of feminist handwriting and paper doll graphics from American Antiquarian Society, Worcester, MA, Library of Congress, Washington D.C. and Women’s Rights National Historical Park, Seneca Falls and turned them into transparencies that are used to blueprint the archives into painted surfaces, paper and fabric.
American Dream, K Space Contemporary, Corpus Christy, TX, July 7 – Aug. 18, 2017
FATE 2015 Biennial: National Juried Members Exhibition, Herron School of Art and Design, Indianapolis, IN, March 4-April 18, 2015
16th Annual Salon Art Club Show, Williamsburg Art and Historical Center, Brooklyn, NY, 24-Feb. 22, 2015
Feature Artist, Collectable Global Art Book, 2013
cyanotype on paper on folded xerox paper, 8x6
cyanotype on vellum, 12x5
cyanotype on vellum, 12x5
cyanotype on vellum, 12x5
cyanotype on paper on folded xerox paper, 8x6
cyanotype on paper on folded xerox paper, 8x6
cyanotype on paper on folded xerox paper, 7x5
cyanotype on watercolor paper, 7x5
cyanotype and pen on paper, 7x5
cyanotype on paper on folded xerox paper, 12x6
cyanotype and pen on paper, 7x5
cyanotype, latex paint on paper & wood blocks, 7x5
(2014-ongoing)
[2008-2020] Cash Paid for Rags is a body of artwork that is part paper doll, part history lesson, part thrift store shirt. It is about transformation and recycling of history that ponders the relationship between inherited culture and individual impulse. I have digitized archives of feminist handwriting and paper doll graphics from American Antiquarian Society, Worcester, MA, Library of Congress, Washington D.C. and Women’s Rights National Historical Park, Senca Falls and turned them into transparencies that are used to blueprint the archives into painted surfaces, paper and fabric. I was awarded funding to traveled to WRNHP, American Antiquarian Society and Library of Congress to visit with scholars and study early American feminist history, the Woman’s Bible, vintage paper doll graphics dress reform broadsides and broadsides that called for rag collection. Women’s Rights National Historical Park invited me to exhibit and conduct a workshop for Art Afire! Program celebrating the first women’s rights convention in 1848.
TTU CAHSS Grant, Women’s Bible Research for Art, Library of Congress, Washington DC (2500.00), 2012
Arts Afire!, Women’s Rights National Historical Park, Seneca Falls, NY, June 19-22, 2012
Historical Prints Fact and Fiction, Worcester Center for Crafts, Worcester, MA, Oct. 27-Nov. 17, 2012
Cash Paid for Rags Artist Presentation, Annual Conference Art = Community, St. Edwards University, Austin, TX, April 8-10, 2012
Ladies First, Louise Hopkins Underwood Center, Nov. 20-Jan. 27, 2009
Faculty Development Leave, Early American History in Art, Travel to Women’s Rights National Historical Park and American Antiquarian Society, Fall Semester, 2008
cyanotype on thrift store shirts
Cyanotype on postcards and thrift store shirts, printed from primary documents at Women's Rights National Historical Park, American Antiquarian Society, 2012
cyanotype 19th century dress reform broadside on thrift store shirt, 2012
cyanotype 19th century paper doll instructions on thrift store shirt, 2012
cyanotype 19th century dress reform broadside on thrift store shirt, 2012
cyanotype 19th dress reform broadside on thrift store shirt, 2012
cyanotype 19th century paper doll little Eva on thrift store shirt, 2012
thrift store shirt in ring binder, 2012
Silkscreen on thrift store shirt, printed from primary document at American Antiquarian Society, 2012
Silkscreen on thrift store shirt, printed from primary document at American Antiquarian Society, 2012
Silkscreen on thrift store shirt, printed from primary document at American Antiquarian Society, 2012
19th century Rags Wanted broadside
19th century dress reform broadside
19th century paper doll
19th century paper doll instructions
19th century paper doll
19th century paper doll
19th century paper doll Little Eva from Uncle Tom’s Cabin
19th century paper doll Topsy from Uncle Tom’s Cabin
19th century letter, Abby Kelley Foster
19th century letter, Angelina Grimke
Willard’s History of the United States
19th century letter, Sarah Grimke
cyanotype, acrylic paint and pen on paper, 40x32, 2024
Tea tone and pen on paper, 40x32, 2023
Tea toned cyanotype, pen and ink on paper, 40x32, 2024
Tea toned cyanotype, pen and ink on paper, 40x32, 2023
Cyanotype and acrylic on paper, 42x30 inches, 2024
Cyanotype on paper, 55x75, 2021
Tea toned cyanotype, acrylic and pen on paper, 55x75, 2021
Cyanotype on paper, 55x75, 2024
Cyanotype on paper, 55x75, 2023